In Italy, Manzoni’s grand historic novel is considered a literary treasure Just about on the par with Dante, but its track record elsewhere has faded. During this new translation, the very first in fifty many years, it emerges as a work that anybody who cares about nineteenth-century fiction ought t

established in Corona, Queens, during the nineteen-eighties, this novel can be an ode to adolescence while in the vein of “A Tree Grows in Brooklyn”—a book that younger Razia, a primary-technology Pakistani American, reads early from the Tale. As Razia strains towards the limitations imposed by her